Products related to Religion:
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American Cosmic : UFOs, Religion, Technology
More than half of American adults and more than seventy-five percent of young Americans believe in intelligent extraterrestrial life.This level of belief rivals that of belief in God. American Cosmic examines the mechanisms at work behind the thriving belief system in extraterrestrial life, a system that is changing and even supplanting traditional religions. Over the course of a six-year ethnographic study, D.W.Pasulka interviewed successful and influential scientists, professionals, and Silicon Valley entrepreneurs who believe in extraterrestrial intelligence, thereby disproving the common misconception that only fringe members of society believe in UFOs.She argues that widespread belief in aliens is due to a number of factors including their ubiquity in modern media like The X-Files, which can influence memory, and the believability lent to that media by the search for planets that might support life.American Cosmic explores the intriguing question of how people interpret unexplainable experiences, and argues that the media is replacing religion as a cultural authority that offers believers answers about non-human intelligent life.
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Fashion and Environmental Sustainability : Entrepreneurship, Innovation and Technology
The wide range of topics that the book covers are organised into sections reflecting a cradle to grave view of how entrepreneurial, innovative, and tech-savvy approaches can advance environmental sustainability in the fashion sector.These sections include: sustainable materials; innovation in design, range planning and product development; sustainable innovations in fashion supply chains; sustainable innovations in fashion retail and marketing; sustainable alternatives for end-of-life and circular economy initiatives; and more sustainable alternative fashion business models.
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Unbridled : Studying Religion in Performance
A study of religion through the lens of Peter Shaffer’s play Equus. In Unbridled, William Robert uses Equus, Peter Shaffer’s enigmatic play about a boy passionately devoted to horses, to think differently about religion.For several years, Robert has used Equus to introduce students to the study of religion, provoking them to conceive of religion in unfamiliar, even uncomfortable ways.In Unbridled, he is inviting readers to do the same. A play like Equus tangles together text, performance, practice, embodiment, and reception.Studying a play involves us in playing different roles, as ourselves and others, and those roles, as well as the imaginative work they require, are critical to the study of religion.By approaching Equus with the reader, turning the play around and upside-down, Unbridled transforms standard approaches to the study of religion, engaging with themes including ritual, sacrifice, worship, power, desire, violence, and sexuality, as well as thinkers including Judith Butler, Sigmund Freud, Karl Marx, Friedrich Nietzsche, and Jonathan Z.Smith. As Unbridled shows, the way themes and theories play out in Equus challenges us to reimagine the study of religion through open questions, contrasting perspectives, and alternative modes of interpretation and appreciation.
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Religion, Sustainability, and Place : Moral Geographies of the Anthropocene
This book explores how religious groups work to create sustainable relationships between people, places and environments.This interdisciplinary volume deepens our understanding of this relationship, revealing that the geographical imagination—our sense of place—is a key aspect of the sustainability ideas and practices of religious groups. The book begins with a broad examination of how place shapes faith-based ideas about sustainability, with examples drawn from indigenous Hawaiians and the sacred texts of Judaism and Islam.Empirical case studies from North America, Europe, Central Asia and Africa follow, illustrating how a local, bounded, and sacred sense of place informs religious-based efforts to protect people and natural resources from threatening economic and political forces.Other contributors demonstrate that a cosmopolitan geographical imagination, viewing place as extending from the local to the global, shapes the struggles of Christian, Jewish and interfaith groupsto promote just and sustainable food systems and battle the climate crisis.
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What does religion have to do with sustainability?
Religion can play a significant role in promoting sustainability by influencing people's values, beliefs, and behaviors. Many religious traditions emphasize the importance of stewardship, care for the Earth, and the well-being of future generations. These teachings can inspire individuals and communities to adopt sustainable practices, such as conservation, ethical consumption, and environmental protection. Additionally, religious institutions often have the resources and networks to mobilize their followers to take action on environmental issues, making them important allies in the global effort towards sustainability.
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How can one design a cross for religion?
Designing a cross for religion involves incorporating symbolic elements that represent the beliefs and values of the specific religion. One can start by researching the significance of the cross in that particular religion and understanding its traditional design elements. It is important to consider the cultural and historical context of the religion when creating the design. Additionally, consulting with religious leaders or members of the community can provide valuable insights and feedback to ensure the design is respectful and meaningful.
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How can one design a cross for the religion?
Designing a cross for a religion involves understanding the symbolism and significance of the cross within that particular faith. It is important to research the religious tradition and its teachings to ensure that the design accurately reflects the beliefs and values of the followers. Additionally, consulting with religious leaders or members of the community can provide valuable insights and guidance for creating a meaningful and respectful design. The design should aim to capture the essence of the faith and serve as a symbol of unity, hope, and spiritual significance for its followers.
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What is the questionnaire design for the topic of religion?
The questionnaire design for the topic of religion should include a mix of closed-ended and open-ended questions to gather both quantitative and qualitative data. Closed-ended questions can be used to gather demographic information such as religious affiliation, frequency of religious practice, and beliefs, while open-ended questions can be used to explore personal experiences, attitudes, and the role of religion in individuals' lives. It's important to ensure that the questions are respectful and non-biased to encourage honest and thoughtful responses from participants. Additionally, the questionnaire should be pilot-tested with a diverse group of individuals to ensure that it is clear and relevant to the target population.
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Religion, Theatre, and Performance : Acts of Faith
The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out.That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume.This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance.Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance.From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.
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Devotional Activism – Public Religion, Innovation and Culture in the Nineteenth–Century
Modern history has not been neutral in telling the story of religion.Since it presumes the centrality of human motives and machinations as the one and only means of explicating the unfolding of ‘events’, it has helped set the terms for what counts as a viable motive and what does not, and this is evident in the systematic unmasking of religion as only really ever about ‘something else’.By distilling more substantive/primary economic, political or other kinds of motives from the detritus of ‘religion’, the latter is thus consigned to the past as the primitive husk of more substantive and rational ways of thinking and acting.As a set of historical case studies, the essays collected here forgo that tendency, and suggest different possibilities for conceptualizing the fate of religion in the modern world.They chart a different course, one of faith and self-assertion. The essays take up a variety of episodes from modern European and American history and explore, from various angles, three interrelated themes: 'public religion', and the role of Catholicism as a determined critic of modernity; religion as an impetus for innovation; and the tendency to reduce religion to culture.
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Santeria Enthroned : Art, Ritual, and Innovation in an Afro-Cuban Religion
Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumí) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. Originally published in 2003 Santería Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression.Focusing on the royal throne as a potent metaphor in Santería belief and practice it shows how negotiations among ideologically competing interests have shaped the religion’s symbols, rituals, and institutions from the nineteenth century to the present.Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina’s Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria.Throughout, the book argues for a theoretical perspective on culture as a field of potential strategies and "usuable pasts" that actors draw upon to craft new forms and identities – a perspective that will be invaluable to all students of the African Diaspora.
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Buddhism : The Religion of No-Religion
"Although Alan Watts' famous voice and happy laughter are missing now, his penetrating vision of Buddhism remains, and his lectures become brilliant prose in book form." —Publishers WeeklyBuddhism: The Religion of No-Religion presents six powerful essays by Alan Watts, the guru for an entire generation of 20th century thinkers, writers and poets.Watts was an engaging speaker and an icon of America's Beat and Counterculture movements.His friends included Aldous Huxley, Lawrence Ferlinghetti, John Cage and Joseph Campbell. In this book, Watts explores all aspects of Buddhism—from its roots in ancient India to the explosion of interest in Zen and Tibetan Buddhist thought in the West. The fascinating topics covered in this book include:Finding a Middle Way: How a spiritual path to awakening is formed not just by avoiding extreme indulgence but extreme denial as wellThe Religion of No-Religion: How Buddhism eschews any particular dogma and instead acts as a guide to understanding oneselfBuddhism as Dialogue: How Zen teaches us that we are one with the world and so as we learn to navigate the world, we must also learn about ourselvesWatts traces the early beginnings of Buddhism, outlines the differences between Buddhism and other religions, and reviews the Four Noble Truths and The Eightfold Path.Buddhism: The Religion of No-Religion is a valuable reminder of the peace to be found by looking inward.
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What distinguishes a religion from a substitute religion?
A religion is typically characterized by a belief in a higher power or powers, a set of sacred texts or teachings, and a system of rituals and practices. It often provides a framework for understanding the meaning and purpose of life, as well as guidelines for moral behavior. A substitute religion, on the other hand, may lack some or all of these elements, but still fulfills a similar role in providing meaning, community, and a sense of purpose for its followers. Substitute religions may include belief systems, ideologies, or even activities such as sports or political movements that fulfill some of the same functions as traditional religions.
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Is substitute religion the same as religion replacement?
No, substitute religion and religion replacement are not the same. Substitute religion refers to alternative belief systems or practices that individuals adopt in addition to their traditional religion, while religion replacement involves completely abandoning one's original religion in favor of a new belief system. Substitute religion allows individuals to incorporate elements of different faiths into their lives, whereas religion replacement involves a complete shift in religious identity.
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What is the difference between religion and substitute religion?
Religion refers to a formal system of beliefs, practices, and rituals centered around a higher power or spiritual force, often involving organized institutions and communities. Substitute religion, on the other hand, refers to non-traditional belief systems or practices that serve as a replacement for traditional religion. Substitute religions may include alternative spiritual practices, self-help movements, or other forms of belief and community that fulfill similar roles to traditional religion for their followers. While religion is often associated with established traditions and institutions, substitute religion may be more individualistic and diverse in its manifestations.
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Is Buddhism a religion or a critique of religion?
Buddhism can be seen as both a religion and a critique of religion. It is considered a religion because it involves beliefs, practices, and rituals centered around the teachings of Siddhartha Gautama, also known as the Buddha. However, Buddhism also critiques traditional religious concepts such as the existence of a creator god and the idea of a permanent self. It emphasizes personal spiritual development, mindfulness, and the pursuit of enlightenment through self-awareness and compassion, which can be seen as a critique of certain aspects of organized religion.
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